Star Wars: The Last Jedi

7 Awesome Women in Film You Should Be Following Now

From directing to cinematography, writing to producing, women in Hollywood are working hard to have an equal voice and share of power in the movies being made … but we have a long way to go. According to the Annual Celluloid Ceiling Report, “In 2017, women comprised 18% of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing films.”

Here, we present seven women who defy those numbers and stand as role models for generations of women to come. We couldn’t possibly decide which one of these women was more awesome than the next, so we put them in alphabetical order.

Ava DuVernay

  1. Ava DuVernay was the first African-American woman to win the Best Director Prize at Sundance Film Festival for Middle of Nowhere, and the first to be nominated for a Golden Globe Award for Selma. Recently, she became the first woman of color to direct a live-action film with a budget of over $100 million — a staggering sum for any director — for Disney’s upcoming A Wrinkle in Time.

Nina Jacobson

  1. Nina Jacobson is a producer who, in her time heading up Disney, brought such films as The Chronicles of Narnia, The Sixth Sense, and the Pirates of the Caribbean to life. After being fired from Disney, she created her own production company, Color Force, which produced the wildly successful Hunger Games movies. She is also openly gay, and has helped to create a more inclusive environment for the LGBTQ+ community in Hollywood by creating Out There with fellow producer Bruce Cohen.

Patty Jenkins

  1. Patty Jenkins directed Wonder Woman, the third highest grossing film of 2017. It gave her the biggest domestic opening for any female director. Before that, Jenkins wrote and directed Monster, another, darker, woman-centric film that garnered critical acclaim and the academy award for its star, Charlize Theron, whom we will meet below…

Kathleen Kennedy

  1. Kathleen Kennedy started out her career as Spielberg’s secretary and, as we mentioned in this article celebrating women film producers, rose to become one of the most powerful people in Hollywood. She heads up Lucasfilm, and is hence responsible for the Star Wars franchise and the highest grossing movies of the past few years, including The Last Jedi.

Reed Morano

  1. Reed Morano is a cinematographer, known for Frozen River, Kill Your Darlings” and The Skeleton Twins. More recently, she picked up critical acclaim for directing the first three episodes of The Handmaid’s Tale. In 2013, she became the youngest member of the American Society of Cinematographers, and, according to Wikipedia, is one of only 14 women in this prestigious organization of approximately 345 active members.

Mina Shum

  1. Mina Shum is a Chinese-Canadian filmmaker who prefers to be known simply as an independent filmmaker. Her feature films, Double Happiness and Long Life, Happiness and Prosperity, premiered at Sundance. Her most recent film, Meditation Park, starring Grey’s Anatomy’s Sandra Oh, will hit theaters March 2018.

Charlize Theron

  1. Charlize Theron is a South African-American who has established her career beyond her acting talent and beauty by founding her own production company, Denver and Delilah, named for her two dogs. Its first production was Monster, and its latest was Atomic Blonde.

For more on the usefulness of turning actor cred into producer cred, check out this article on why so many actors turn to producing, where you’ll find more awesome women like Viola Davis, Salma Hayek and Drew Barrymore, who all started production companies of their own.

 

 

 

What Does the Internet Think About “Star Wars: The Last Jedi”

“Star Wars: The Last Jedi” opened last weekend to a whopping $220 million Box Office take — which USA Today reported is the second-largest opening weekend ever (second only to “Star Wars: The Force Awakens”)! Which has all of us asking: yeah, but … what did the internet think?

While the New York Film Academy offered a filmmaker’s perspective on some of the storytelling elements of Episode VIII, there are many more angles to plumb as fans and film buffs alike respond — with wildly different feelings — to the much-anticipated film.

With a Rotten Tomatoes score of 93% but an audience score of only 53%, there is clearly a disturbance in the force. The internet has been a cacophony of conflicting voices and passionate debate.

If you haven’t seen Episode VIII yet, stop what you’re doing and make it happen — we want to hear your reaction, too!

In the meantime, here are the main types of of responses we’ve seen so far to “Star Wars: The Last Jedi.”

Spoiler Warning! Read with caution!

Joy and Adulation

What character actor Andy Serkis has called “a rich meal of a film” seemed to hit the sweet spot for nearly every critic and at least half of the three generations of Star Wars fans who reacted across Twitter, Facebook, Snapchat, and beyond. As Rotten Tomatoes makes clear, the critical response is all positive: “The Last Jedi” is officially “too big to fail.”

Many applauded director Rian Johnson’s fresh take on the Star Wars universe, with a more tongue-in-cheek tone, a breathless, complex interweaving of characters, and entirely new themes added to the starscape of the franchise.

Newsweek featured a sampling of some of the joy and adulation across Twitter. “Best Star Wars ever” was a common refrain:

 

See a roundup of more positive Tweets in Newsweek and EW.

Yet social media wasn’t always kind to “The Last Jedi”…

Fanboy Fury

"Star Wars: The Last Jedi" poster via IMDB.

“Star Wars: The Last Jedi” poster via IMDB.

“It’s time for the Jedi to end.”

As the title of Episode VII suggests, “Star Wars: The Last Jedi” takes a sharp turn away from the central themes of prior Star Wars films. There’s no new hope, there’s no return of the Jedi. There may not even be a light side or a dark side of the Force.

And many life-long, die-hard Star Wars fans are not having any of it.

Perhaps most of the social media backlash down to the fact that a very vocal swath of the hardcore Star Wars fanboy population feels Johnson may have gone too far, not refreshing the franchise but rather feeding it to the Sarlacc. For social media’s loudest critics, “Star Wars: The Last Jedi” takes us to a galaxy far, far away from everything made them love Star Wars in the first place. Many also criticized “The Last Jedi” for failing to answer what seemed to be the driving questions left unanswered by “The Force Awakens.” (Who are Rey’s parents?! Why is she special?!)

And while some fans applauded Johnson’s decision to infuse a strong dose of jokiness to “The Last Jedi,” a louder group thought the humor just didn’t work. Also, it seems many are angry at what happens with Luke Skywalker’s character … perhaps including Mark Hamill himself, who is quoted in Mashable as saying, “‘It’s time for the Jedi to end.’ Are you kidding me?” Between the fanboy fury and the huge box office wins/positive critical feedback, maybe the real question, as Vanity Fair pointed out, “Is whether this divide is representative of how the fandom truly feels.” Yet I can’t help thinking it seems unwise not to take them seriously…

See a roundup of more angry fan responses on Screenrant.

Last but Not Least: Honoring Carrie Fisher

"Star Wars: The Last Jedi" poster via IMDB.

“Star Wars: The Last Jedi” poster via IMDB.

 

The main thing critical and fanboy reactions across the board can seem to agree upon within the internet universe of responses to “Star Wars: The Last Jedi,” is that it’s very hard to say goodbye to Carrie Fisher.

The actress, writer, and mental health advocate, who sadly passed away last December, turned in an unequivocally amazing performance as Princess Leia in “The Last Jedi,” and will be missed not only in future franchise episodes, but throughout the galaxy.

Director Rian Johnson, it turns out, felt just as emotional about losing Carrie Fisher as the rest of us did, and went out of his way to keep the storyline of Episode VIII the same even after her tragic death.   He told The New York Times in September, “I felt very strongly that we don’t try to change her performance. We don’t adjust what happens to her in this movie. Emotionally, you can’t help recontextualize it, now that she’s gone. It’s almost eerie how there are scenes that have an emotional resonance and a meaning, especially now. She gives a beautiful and complete performance in this film.”

If you’re not afraid of more spoilers, check out Time magazine’s feature on Carrie Fisher and how “Star Wars: The Last Jedi” has said farewell to a legend.

What were your reactions to Episode VIII? Let us know in the comments below! And learn more about filmmaking at the New York Film Academy.